To this end Luda's crossed the into the realm of bonafide superstar, so taking this album to showcase the talents of his Disturbing the Peace crew and up and coming producers is one of the byproducts of that success. He's always got a greasy sack full of punch lines, pop culture references and silliness ready to drop whether it's on his album or the pop singer of the moment's latest single. This is the major reason why Chicken N Beer doesn't have to be chock full of 20 runaway hits. The thing with Ludacris is that his clever and humorous flow will work with virtually any type of music, whether it's a party tune, wannabe player/gangster/pimp anthem or what have you. The one-shot production contributors on Chicken don't come with nearly the same quality of hits that we saw out of Timbaland and Swizz Beats on Mouf, but you have to hand it to Luda for sticking to his formula of mixing an unmistakably dirty dirty sound with some non-Dixie influences. You can't call it a sophomore slump because Chicken N Beer is Ludacris' third outing on Def Jam South and the album that's supposed to continue the wild success and party-ability of the smashing Word of Mouf.
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